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[Free Shipping] 60's Western Australian Girl Pop Girls With Guitars Series 3CD[GIRLS WITH GUITARS][DESTROY THAT BOY!][THE REBEL KIND]English ACE Edition

 

At [Free shipping], he will exhibit Vol. It is not a rental omission. Each is a one-time audition.

 

① [GIRLS WITH GUITARS] All 24 songs CDCHD989 2004 CD release UK ACE edition

     *See image 5 for detailed artist names and song titles.

 

② [DESTROY THAT BOY!: More Girls With Guitars] All 24 songs CDCHD1224 2009 CD release UK ACE edition

     *See image 6 for detailed artist names and song titles.

 

③ [THE REBEL KIND: Girls With Guitars 3] All 24 songs CDCHD1374 2014 CD release UK ACE edition

     *See image 7 for detailed artist names and song titles.

 

① is

A 57-minute omnibus album released in Europe in 2004 containing 24 songs by 18 early girl bands. Although it includes songs featuring male performances and names such as Ronnie Mac (g) and Al Casey (g), it is basically considered an 'all-girl band' as the original sub-title suggests. , seems to be a compilation of songs recorded between 1963 and 1970 by American bands. The sound quality is good, including several songs that were not recorded at that time. Garage rock'n'roll numbers with songs appearing on the front are the focus, but bands of various music styles are recorded, and all of them have a strong, mellow, and even sensual pop sound that is charming. The R&B taste stands out more than the male bands at the time, and judging from the artist photos on the 20-page booklet with the long English liner, there are several groups with black members as well as white members. Although it resonates with the soul music of the same era, the band with a strong soft psychedelic color is also impressive, making it a colorful CD. Bands that feature songs by Petula Clark, Eric Burdon & The Animals, and Ray Charles aren't bad, but it's worth mentioning that a few bands write their own songs without relying on covers or outside writers. . The point of this CD is that most of the songs are performed by women, but the attractiveness of the lustrous and lively singing voice is also irresistible. Jenia Raven, who later produced the debut work of the NY punk Dead Boys, has a lot of discoveries, including vocals by Goldie & the Gingerbreads. 』

 

                       Record Collectors February 2015 issue Kazuhiko Namekawa liner notes

 

② is

“It may be NG to use the expression “for women” now, but ‘Girls With Guitars’ (04) is a collection of punchy rock numbers by female (mainly) bands or solos. The sequel is Kore, which includes 24 treasure sound sources from 1963 to 1970, not only in the United States but also in the United Kingdom and Australia. Blues Rock ② by Starlets is a familiar song by Gary Walker. Liverpool-born Riverbirds' ⑥ has a crisp singing voice, and Beverly Jones' ⑦ is a shout that puts Lulu to shame. ⑨ of Fondets from the Bay Area is the Beatles Novelty. Project X's ⑩ with Eric Darling and Scott Mackenzie is in the Shangri-Las style. I am appalled by the noisy sound of Ann-Margret's ⑪⑭. Girls' unreleased song ⑯ by Sly Stewart sounds like Beau Brummels. The Rolling Stones song ⑰ sung innocently by the Termites, Cheryl & Pam produced by Steve Cropper is also fun. 』

 

                       Record Collectors September 2009 issue, Akihide Nakamura liner notes

 

③ is

“With the advent of The Beatles, young people forming rock bands have not been seen. ``Girls With Guitars'' was planned to be a phenomenon not only for men but also for women, but it was 1989 when it was first released on vinyl. In the CD era, two CDs were released in 2004 and 2009, and this 3rd volume after 5 years has expanded from the UK and the US to Italy, New Zealand, and Japan, and contains 24 songs from 1959 to 1984. . First of all, two songs recorded all the way to London by Goldie & the Gingerbreads, led by Junior Raven, a pioneering female rock band. "Can't You Hear My Heartbeat", a hit produced by Alan Price, is a pop number with an impressive bright organ tone, while "Please, Plesse", produced by Shel Talmy, features two women. is a bluesy finish that shows a soulful interaction. Brenda Lee's "What'd I Say", which also traveled to England, was produced by Mickey Most and played by Jimmy Page on guitar, but I was surprised by her dynamite voice. At the same time, striking beat pops featuring Page's guitar are Dana Gillespie's 'You Just Gotta Know My Mind' and Jackie DeShannon's 'Dream Boy'. The Bootles' "I'll Let You Hold My Heart", which seems to be a NY recording, is an answer song to the Beatles' "I want to hug you". Gail Harris and Wailers' Seattle recording "I Idolize You" blows away with amazing singing. Italy's Honey Beats and New Zealand's Chicks are crisp rock, but Japan's Pinky Chicks are blue comets style pops. There are other attractive songs such as Ace of Cups and Chimes, and editor Mick Patrick's skill shines. 』

 

                       Record Collectors July 2014 issue From Nakamura Akihide liner notes

 

This series is a female band that is a little out of the 60's 'old days' and 'pops' genre, that is, the girl band edition of the Beatles followers, and is a rare piece released during the overwhelming number of male bands. We carefully collect European and American girl bands. "Pinky Chicks" was recorded as the only female GS during Japan's GS era, but the fact that their sound sources are recorded in Vol.3 is the amazing place of British ACE editing power. In addition, the "Girls in the Garage" series released from ROMULAN Records is an extra edition of this board.

 

 

I'm sorry, but I won't sell them separately. Please purchase a set of 3. Although it was carefully stored, the board surface is beautiful, but the storage period was long, so please refrain from nervous people. I need your help by a no claim no return. I will try to ship quickly.